Tag: Classic Rock
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Boston ‘Don’t Look Back’ (1978)
Don’t Look Back isn’t nearly as good as the pretty-much-perfect debut album from Boston they dropped in 1976, due in part to how quickly the band churned this record out due to pressure from their label to write a quick follow up. There’s an old adage in the music business that you spend your entire…
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The London Souls ‘Here Come the Girls’ (2015)
The London Souls’ 2015 album Here Come the Girls puts a unique spin on the traditional classic rock and roll formula, updating it in bits and pieces along the way to form a cohesive experience that sounds like an echo of the past reverberating in a modern room. Taking elements of 60’s jangly psychedelic rock…
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The Doobie Brothers ‘The Captain and Me’ (1973)
The Doobie Brothers hold the distinction of being one of the few great rock bands who found success with two very different lead singers that fronted the band at two different phases of their career. From the meat and potatoes boogie rock of Tom Johnson in the early 70’s to the soulful grit of Michael…
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Tom Petty ‘Full Moon Fever’ (1989)
Full Moon Fever was Tom Petty’s debut solo album after taking a hiatus from his longtime backing band The Heartbreakers, a similar career path that Bruce Springsteen took when he released Tunnel of Love in 1987 without the official backing of the E Street Band. My love for Petty has been well chronicled (you can…
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Boston ‘Boston’ (1976)
A landmark of classic rock radio, Boston’s self-titled 1976 debut has an incredible backstory that has been described as “one of the most complex corporate capers in the history of the music business.” The Boston sound started an unlikely marriage between head producer Tom Scholz and lead singer Brad Delp. Boston famously came together in…
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Peter Frampton ‘Frampton Comes Alive!’ (1976)
Frampton Comes Alive! was the album which put Peter Frampton on the map, similar in that way to The Allman Brothers Band’s 1971 live album At Fillmore East which jumpstarted the commercial appeal of a band by capturing the raw, infectious energy of their live show. To this day it remains one of the best-selling…
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Toto ‘Toto IV’ (1982)
Toto is one of those yacht rock bands from the 70’s that seemingly tried everything under the sun sonically. They rolled up their favorite components of genres ranging from funk, pop, rock, soul, prog-rock, jazz, and the blues, stitched them together with expert musicianship, and slapped a sweet sheen of production prowess on top that…
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The Who ‘Who’s Next’ (1971)
Born from the rubble of the ambitious Lifehouse project that The Who eventually abandoned (probably because it was so insane– seriously), Who’s Next is the magnum opus of the British rock band known for their over the top stage show and prolific musical output. This was the album that defined rock and roll for a…
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Joe Satriani ‘Surfing With The Alien’ (1987)
There’s not many guitarists that can absolutely rip like Joe Satriani and 1987’s Surfing With The Alien is a love letter to all the guitar-heads out there who just want to hear some good ol’ fashioned shredding for the sake of it. It’s bombastic, over the top, and just plain fun as hell. The album…
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Bruce Springsteen ‘Born In The U.S.A.’ (1984)
It’s a well-worn trope at this point that when “Born In The U.S.A.” comes on someone will loudly exclaim “Hey buddy ya’ know this song is actually a protest song about how politicians conveniently drape themselves in the flag but then ignore the needs of our working-class military members once they return from service.” That…
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Dire Straits ‘Brothers In Arms’ (1985)
Dire Straits magnum opus’ Brothers In Arms is a landmark achievement in sound that has been one of my favorite albums of since I first heard it as a teenager. To this day I still get chills when I hear the stinging precision of Mark Knopfler’s incredible guitar riff that kicks off “Money For Nothing”…
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Thin Lizzy ‘Jailbreak’ (1976)
Thin Lizzy is one of the most underrated bands in rock history in my opinion. Whether it’s the super smooth vocal stylings of Phil Lynott, the twin guitar harmonies of Scott Gorham and Brian Robertson that remain to this day the sound of their generation, or the pulsating rhythm section of Brian Downey, there is…
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Steve Miller Band ‘Greatest Hits 1974-78’ (1978)
When I made the decision at the beginning of this year to listen to one album per day I set up a handful of self-imposed guiding principles to guide the process. The primary one was (and remains) to avoid Greatest Hits compilations– the spirit of this whole experience is to focus on a greater appreciation…
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Tom Petty and the Heartbreakers ‘Damn The Torpedoes’ (1979)
For my money Tom Petty has and always will be the perfect encapsulation of American heartland rock. Throughout his career he showed an innate ability to combine the blues, traditional country, garage rock, British invasion, rock and roll, and folk songwriting sensibilities to create some of the finest works of art found in classic rock.…
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The Hold Steady ‘Boys and Girls in America’ (2006)
Boys and Girls in America was an incredibly formative album for me. I was maybe a month in to my freshman year of college when the album dropped, and after previously falling in love with The Hold Steady’s concept album Separation Sunday, which is quite honestly a must-listen as well for any fan of rich…
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Atlanta Rhythm Section ‘Are You Ready!’ (1979)
Whenever someone says the words “classic rock” the sound I hear in my head is Atlanta Rhythm Section. Their sound is a perfect encapsulation of what makes the genre so evergreen– the smooth lead vocals, layered background harmonies, reliance on major chord progressions, overdriven guitar solos, tasteful piano, and drum fills that feature the toms…
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Blind Faith ‘Blind Faith’ (1969)
Blind Faith managed to get rock icons Eric Clapton, Steve Winwood, and Ginger Baker together to write a full length album, play their first show in front of 100K people, tour the globe, and eventually break up over creative differences, all in the span of less than a year. If that’s not the most 60’s…
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