Tag: Alternative Rock
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Drug Church ‘Hygiene’ (2022)
I’ve been on a bit of an intense running kick this year, logging about 15 miles a week, and am constantly on the lookout for a perfect album to serve as the soundtrack for my 5K’s which I’m clocking in at around a 25 minute average. I popped on Drug Church’s Hygiene Friday morning at…
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Kyuss ‘Welcome to Sky Valley’ (1994)
Kyuss distinctive blend of heavy, fuzz-laden riffs and stoner rock aesthetics helped define the subgenre during the mid-1990’s. Hailing from the California desert, their sound, often described as “desert rock,” became a launching point that inspired countless bands in their wake. On Welcome to Sky Valley, Kyuss crafted a sonic landscape characterized by slow, sludgy…
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The Jesus Lizard ‘Goat’ (1991)
With their second album Goat the noise-rock band The Jesus Lizard—fronted by the enigmatic David Yow and featuring guitarist Duane Denison, bassist David Wm Sims, and drummer Mac McNeilly—began crafting a unique sound that combined elements of punk, noise, and avant-garde. Their aggressive, visceral approach was further refined with the release of Goat, showcasing their…
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The Smashing Pumpkins ‘Siamese Dream’ (1993)
Released in 1993, The Smashing Pumpkins’ Siamese Dream stands as a defining artifact of 90s alternative rock, capturing a pivotal moment in the genre’s evolution. At a time when grunge was peaking with albums like Nirvana’s 1991 magnum opus Nevermind and Pearl Jam’s debut album Ten, Siamese Dream emerged as a bold statement, blending the…
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Fall Out Boy ‘Take This To Your Grave’ (2003)
Despite the fact that Fall Out Boy is absolutely one of the most prolific pop punk bands of all-time and their debut album Take This To Your Grave was released only two years after Sum 41’s All Killer No Filler and four years following Blink-182’s 1999 album Enema of The State, in my mind the…
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The Cranberries ‘No Need to Argue’ (1994)
Dolores O’Riordan’s vocal style was iconic in a way that was often compared to Sinead O’Connor, both for their illustrious high notes, Irish accents, and ability to make every single song they sang on feel intimate and powerful. There is a bleak poetic note to the fact that both O’Connor and O’Riordan both dealt with…
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My Bloody Valentine ‘Loveless’ (1991)
Every once in awhile an album comes along that completely changes the trajectory of music history. The Velvet Underground inspired a legion of miscreants to start their own bands in 1967 with their lo-fi avant garde production quality, Eric B. & Rakim’s 1987 magnum opus Paid In Full introduced complex rhyme structures that changed the…
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The Mother Hips ‘Pacific Dust’ (2009)
The Mother Hips are somewhat of a Bay Area institution having delivered their brand of 90’s alternative meets 70’s classic rock for over 30 years now. Pacific Dust carries on the spirit of what has made The Mother Hips such a fixture in the Northern California music scene– dynamic guitar parts, rock-steady rhythm section, and…
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No Doubt ‘Tragic Kingdom’ (1995)
The backdrop of No Doubt’s third album Tragic Kingdom reads somewhat like a soap opera– keyboardist and principal songwriter Eric Stefani left the band in the middle of the sessions after struggling with the fact he was being asked to include other band members in the songwriting process, and shortly after that bassist Tony Kanal…
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Casey ‘How To Disappear’ (2024)
Casey’s 2024 album How To Disappear marked a return for the Welsh based five piece after a five year hiatus where there future was uncertain. The band broke up in 2019 after lead singer Tom Weaver suffered severe health complications, reuniting a few years later once they realized they collectively had more to say. The…
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Blind Melon ‘Blind Melon’ (1992)
“No Rain” is synonymous with 90’s alternative rock in a way few songs are. The playful and bubbly guitar riff that kicks things off, the lackadaisical rhythm section sort of the sardonic lyrical choices that sound as if they’re being sung on a sunny day in a field of green grass while frontman Shannon Hoon…
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The Jesus and Mary Chain ‘Psychocandy’ (1985)
When brothers Jim and William Reid formed The Jesus and Mary Chain they clearly had one idea in mind– take traditional pop song arrangements and absolutely drench them in feedback, distortion, and reverb to render them almost entirely unnoticeable. With their debut album Psychocandy you could consider it mission accomplished. The entire album sounds as…
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The Temper Trap ‘Conditions’ (2009)
I spent the better part of last weekend listening to The Temper Trap’s 2009 album Conditions and asking myself if this album was a low-key late aughts masterpiece that time somewhat forgot. The Australian-based quartet has all of the delayed glittery guitar grandiose of Edge from U2, the driving rhythm section of Coldplay that sounds…
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Red Hot Chili Peppers ‘Californication’ (1999)
Is there a song that’s skippable on Californication? That’s the question I posed to a friend of mine in the midst of injecting the Red Hot Chili Peppers magnum opus into my veins over this past Memorial Day weekend. Out of all the top-end albums in the Peppers discography, from Stadium Arcadium to Unlimited Love…
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The All-American Rejects ‘The All-American Rejects’ (2002)
The year was 2003 and I was a newly minted Middle School graduate entering high school. I was getting heavily into music, compulsively buying records at a fervid clip, and the local radio station Live 105 was putting on their annual summer concert festival BFD (short for Big F***ing Day) during the halcyon summer months.…
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Chumbawamba ‘Tubthumper’ (1997)
Chumbawamba is an unlikely commercial success story– for nearly a decade they toiled in obscurity as an anarcho-communist punk rock band in their home country of Britain, focusing on elements of class struggle, pacifism, and animal rights as common motifs in their music. And then, like a strike of lightning, the band released “Tubthumping” which…
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Wallows ‘Nothing Happens’ (2019)
Nothing Happens is the debut studio album from Indie Pop group Wallows, who has taken the city of Los Angeles by storm in the past few years. One of the primary reasons why? The band is comprised of B-list actors Dylan Minnette (best known for his role as Clay Jensen in the Netflix smash hit…
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Alberta Cross ‘Broken Side of Time’ (2009)
Alberta Cross was a mainstay for me during college, and still stands to this day as one of my favorite alternative rock albums. Their blend of darkly sinister guitar riffs that sounded as if the apocalypse was around the corner, clear respect for the traditions of the blues, absolutely thumping rhythm sections, and the haunting…
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The Dead Milkmen ‘Big Lizard In My Backyard’ (1985)
Punk rock has a long history of sardonic wit and apathetic humor, especially during the mid-80’s after the self-seriousness of the genre which dominated the late 70’s had begun to fall on deaf ears. The Dead Milkmen carved out their own spot in this niche, displaying an affable sense of comedic timing mixed with jangly…
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Bilk ‘Bilk’ (2023)
I happened upon Bilk via X two weeks ago when I saw that their founding drummer was arrested in Jamaica for taking part in a robbery that saw him and his accomplices steal $2 million worth of corned beef. That’s an almost inconceivable amount of corned beef, and the absurdity of the story basically made…
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Taking Back Sunday ‘Tell All Your Friends’ (2002)
If you were a dude in high school during the mid-2000’s, Taking Back Sunday was a defining band in the era that defined the emo genre. Lead singer Adam Lazzara’s impeccable swag was the stuff every friend I knew wanted to emulate. His carefree long hair, impeccable vocal range, and stage presence that included him…
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Temple Of The Dog ‘Temple Of The Dog’ (1990)
If you’ve been searching for the album that has the worst cover art quality relative to its audio quality (i.e. it looks like shit but sounds fucking phenomenal), you’ve found it. Temple Of The Dog is was a heartfelt one-off project formed to honor the life of lead singer Andrew Wood of Mother Love Bone…
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Third Eye Blind ‘Blue’ (1999)
Blue isn’t a better album than Third Eye Blind’s self-titled debut (it was an impossible task as soon as the former was released), but it certainly is a better album relative to the commercial and critical success it received in comparison to its artistic accomplishments. Put another way, whenever anyone thinks of 3EB they think…
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The Matches ‘E. Von Dahl Killed The Locals’ (2004)
There was a point in high school where The Matches were my favorite band in the world, hard stop, no doubt about it. I loved the fact that they were a local band (they hailed from Oakland, CA), I loved the fact that their live show was absolutely electric (I had the chance to catch…
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Circa Survive ‘On Letting Go’ (2007)
When former Saosin lead singer Anthony Green left Saosin to form a new project in the mid-2000’s it was soul-crushing to 15 year old me. I was an avid fan of their 2003 EP Translating The Name and couldn’t imagine a world in which they wouldn’t be making music together. It all worked out in…
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All Time Low ‘Wake Up, Sunshine’ (2020)
Veteran pop punkers All Time Low returned to their roots on 2020’s Wake Up, Sunshine and in the process scored the biggest chart-topping song of their career with “Monsters”. Despite the fact the band has been around since the early aughts and been a mainstay in the pop punk scene for over 20 years (which…
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From First to Last ‘Dear Diary, My Teen Angst Has A Body Count’ (2004)
Long before Skrillex was an EDM god winning Grammy awards hand over first and playing to festivals with 100K ravers in attendance he was known as Sonny Moore, the frontman of emo rock outfit from First To Last who played to a mere 100 raving lunatics in small dingy rock clubs. I was one of…
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Foo Fighters ‘The Colour And The Shape’ (1997)
Following their self-titled debut studio album in 1995 that was really the musings of a one-man band (Dave Grohl recorded every single part on that album), Grohl entered the studio in 1997 with a new stable of musicians to aid in the recording for The Colour And The Shape. The album was somewhat of a…
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Blur ‘Blur’ (1997)
As you can probably imagine I try to expose my two kids to as much different music as possible. Every album I’ve written about over the last 15 months they’ve heard at least one song off of (I start each trip to and from daycare with one song off my album of the day and…
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Garbage ‘Garbage’ (1995)
Garbage’s eponymous debut album is basically the aggregation of everything I love about 90’s alternative rock. It’s weird, it’s dark, it’s heavy, and it’s wildly eclectic. When thematic subject matter pokes around the edges of society and combines with musical arrangements that are created to suit the song vs. a specific style it’s a special…
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Third Eye Blind ‘Third Eye Blind’ (1997)
Third Eye Blind is one of the albums I’ve put off writing about for over a year since I started this project of listening and writing about an album a day for the one distinct reason that it’s an absolutely perfect album. Hard stop. There isn’t a song on here that I skip. I make…
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The Story So Far ‘Proper Dose’ (2018)
Walnut Creek’s The Story So Far has been a part of the new wave of pop punk bands for going on about a decade now, bringing an emotive and earnest approach to songwriting that pays homage the foundations of the pop punk genre while updating that sound for a new generation of listeners. What sets…
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Kindergarten Cartel ‘Kindergarten Cartel’ (2024)
About a year ago I was driving in the car with my two-year old daughter and newborn son, listening to PinkFong’s rendition of “Baby Shark” for what felt like (and was certainly most likely) the 23rd time in a row, and thought to myself “there has to be a better way.” For a young father…
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Crowded House ‘Crowded House’ (1986)
Australian pop rock band Crowded House’s self-titled debut features one of the best New Wave songs of all-time “Don’t Dream It’s Over”, which has been featured in a wide variety of 80’s media. The song is a wonderful little treatise on nostalgic longing that can be applied to a variety of life events– for me…
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Green Day ‘Nimrod’ (1997)
While not as artistically impactful as their pop-punk powerhouse 1994 album Dookie, or as critically lauded as their commercial smash-hit American Idiot in 2004, Green Day’s 1997 album Nimrod is a seminal album that would have a massive impact on the punk rock genre as a whole and frankly could be considered a magnum opus…
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Something Corporate ‘Leaving Through The Window’ (2002)
In the early aughts pop punk scene Something Corporate stood out for one distinct reason– lead singer and songwriter Andrew McMahon. His use of piano as both a composition tool and for lead hooks was unique in the genre and immediately set the band apart from their peers sonically in a way that was similar…
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