Tag: Alternative Rock
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Bayside ‘Bayside’ (2005)
Bayside is part of a rare breed of bands from the mid-aughts who despite being really good 20 years ago might be even better today. Their 2024 album There Are Worse Things Than Being Alive is an absolute banger, rivaled in stature only by their second album Bayside which we’ll be covering today. All the…
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Panic! at the Disco ‘A Fever You Can’t Sweat Out’ (2005)
Hearing A Fever You Can’t Sweat Out as a teenager felt like stepping into a neon-lit circus where every song was bursting with drama, angst, and theatrical flair. Brendon Urie’s vocals soared effortlessly from smooth crooning to high-flying belts. It’s rare that you can ever describe a pop punk album as being operatic but this…
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Blink-182 ‘California’ (2016)
Blink-182’s California marked a major turning point for the band as it was their first album without founding guitarist and vocalist Tom DeLonge, who departed in 2015 to focus on other projects amidst a strained relationship with Mark Hoppus and Travis Barker. In his place they added Matt Skiba of Alkaline Trio, whose addition added…
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Bloc Party ‘Silent Alarm’ (2005)
I remember the first time I heard Silent Alarm it felt like some lightbulbs went off in my brain. Here was an album that defied a lot of traditional songwriting barriers and embraced a genre-blurring approach that fused post-punk urgency with electronic music. It was an album that threw the middle finger up to rigid…
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Finneas ‘For Crying Out Loud’ (2024)
I spent last night at the Ryman Auditorium watching Finneas play an incredible live show. For those of you not in the know, the Ryman Auditorium is in Nashville and is one of the most iconic live music venues in the United States, standing basically alongside Madison Square Garden as one of the most desired…
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R.E.M. ‘Out of Time’ (1991)
With Out of Time R.E.M. transitioned from beloved college rock icons to full-fledged international superstars, crafting an album that expanded their jangly guitars into a world of strings, horns, and unexpected guest musicians. While still maintaining their signature introspective lyricism, the album took on a more brooding, atmospheric tone, trading some of their earlier urgency…
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Inhaler ‘It Won’t Always Be Like This’ (2021)
Inhaler’s It Won’t Always Be Like This was a fresh and energetic debut that blends the shimmering synth-pop of the 1980s with the raw edge of modern indie rock, creating a sound that draws on nostalgia while keeping things fresh and new. Drawing clear inspiration from bands like The Killers, The Strokes, Kings of Leon,…
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Incubus ‘Make Yourself’ (1999)
Make Yourself was a musical revelation for me the first time I heard it. It was one of the first albums I can remember playing on repeat on my trusty blue Sony Walkman CD player. This album legitimately went everywhere with me in the early 2000’s– baseball practice, family road trips, walks to a friend’s…
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Nirvana ‘Bleach’ (1989)
Kurt Cobain, Krist Novoselic, and an evolving roster of drummers (Dave Grohl wouldn’t join the band until 1991’s Nevermind) came together to distill raw, unpolished essence of the Pac Northwest’s burgeoning grunge scene with their debut album Bleach, setting the stage for a sound that would eventually change a generation. Recorded in a modest session…
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Linkin Park ‘Hybrid Theory’ (2000)
In 2000 I was in seventh grade when Linkin Park’s Hybrid Theory dropped. At that point I was starting to get into some of the nu-metal bands (as I discussed in my write up for Limp Bizkit’s Significant Other) but once Linkin Park stormed onto the scene it sort of redefined the possibilities of rap-rock…
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Dredg ‘Catch Without Arms’ (2005)
Growing up in the Bay Area I always felt a special connection to the local music scene and the bands that came from it. Dredg was one of those band for me– they formed just down the road from my hometown in Los Gatos, CA and had a pretty big pop into the mainstream when…
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The Killers ‘Hot Fuss’ (2004)
The Killers’ Hot Fuss remains one of the most electrifying debut albums in alternative rock history, a record that blends the grandeur of synthesizer-driven melodies with the grit of heavy, intricate guitar work. Tracks like “Mr. Brightside” showcase the band’s technical prowess, with its instantly recognizable riff being deceptively difficult to play (seriously that thing…
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The Goo Goo Dolls ‘Dizzy up the Girl’ (1998)
Buffalo, New York in the mid-80s was the unassuming cradle of The Goo Goo Dolls, a scrappy trio carving their niche in the hardcore punk scene. With John Rzeznik’s gritty guitar riffs and Robby Takac’s punk ethos their sound was raw and in your face aggressive (yes, really). They were far from the polished, radio-friendly…
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The White Stripes ‘White Blood Cells’ (2001)
In the early 2000s The White Stripes almost singlehandedly reinvigorated garage rock and sparking a renaissance for the raw, unpolished sound the genre was known for. At their core was an enigma– Jack and Meg White, a duo whose relationship was shrouded in mystery. Were they siblings? Ex-spouses? The band reveled in the ambiguity, allowing…
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Wunderhorse ‘Cub’ (2022)
Two years ago I set out on a mission to listen to one album per day. I’m beginning year 3 of that journey starting today, and there’s no album more fitting to kick off 2025 with than Wunderhorse’s debut album Cub. It’s an album that demands to be listened as a cohesive whole, and one…
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Peter Cat Recording Co. ‘BETA’ (2024)
Peter Cat Recording Co.’s BETA is a kaleidoscopic journey through sound that defies genre conventions with its avant-garde spirit and restless creativity. Emerging from the vibrant indie scene of New Delhi, the album feels like a sonic experiment conducted in a dimly lit jazz club on a spaceship. Layers of waltzing horns, hypnotic vocals, and…
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The Tragically Hip ‘Fully Completely’ (1992)
The Tragically Hip rose to prominence in the late 1980s with their blues-infused alternative rock, becoming a cornerstone of Canadian cultural identity in the process. Led by lead singer Gord Downie, whose evocative lyrics painted vivid portraits of Canadian landscapes and histories, The Hip struck a chord that resonated deeply with fans across the country.…
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Relient K ‘Let It Snow Baby…Let It Reindeer’ (2007)
My love for pop punk isn’t a well-kept secret (it’s basically the genre that shaped my musical tastes in middle school as I’ve described in great detail over the past two years) and Relient K is one of those bands that have always held a special place in my heart. Their 2004 magnum opus Mmhmm…
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Sunny Day Real Estate ‘Diary’ (1994)
Diary came during a time when grunge dominated the airwaves but despite the fact Sunny Day Real Estate was based in grunge’s birthplace of Seattle their unique blend of post-hardcore and emo rock was able to cut through the noise (it also didn’t hurt that frontman Jeremy Enigk could channel the hell out of Kurt…
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Brand New ‘Your Favorite Weapon’ (2001)
When Brand New dropped Your Favorite Weapon in 2001, few could have predicted the monumental impact the Long Island band would have on alternative music in the decade that would follow. At its core their debut was a fiery pop-punk record, drenched in youthful angst, sharp melodies, and Jesse Lacey’s piercingly personal lyrics. The energy…
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Beck ‘Odelay’ (1996)
Beck has had such a wide-ranging and successful career that it’s almost impossible to really define who he is as an artist– as my brother (who is probably one of Beck’s biggest fans) can attest to, his varied musical influences are as wide-ranging as any artist. Odelay is a kaleidoscopic masterpiece that redefined alternative music…
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Red Hot Chili Peppers ‘Blood Sugar Sex Magik’ (1991)
By 1991, the Red Hot Chili Peppers were already known as the wild children of Los Angeles’ rock scene, blending funk, punk, and irreverent humor into their music. But while their early albums showcased raw energy, they had yet to fully channel their potential into a cohesive masterpiece– before Blood Sugar Sex Magik that is.…
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Momma ‘Household Name’ (2022)
If you’re like me you love 90’s alternative rock and Momma’s Household Name is without a doubt a love letter to that bygone era, bringing the raw, unapologetic energy of grunge back to life with a fresh indie twist. Channeling the rebellious spirit of bands like The Smashing Pumpkins, Pavement, and Hole by weaving those…
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Arctic Monkeys ‘AM’ (2013)
Arctic Monkeys had somewhat of a second coming with their fifth studio album AM in that they did what has been nearly impossible for British rock bands over the last 40 years– completely take over American radio stations well over a decade into their career. The journey began years earlier when they harnessed the power…
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The Replacements ‘Tim’ (1985)
By 1985 Minneapolis-based The Replacements had carved out a space in the punk rock underground, but Tim marked their shift toward a sound that began to explore the roomier horizon of alternative rock. With their ragged guitars and Westerberg’s soulful voice, The Replacements blended punk’s sharp edge with a melodic sensibility that gave them a…
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Queens of the Stone Age ‘Songs for the Deaf’ (2002)
Queens of the Stone Age frontman Josh Homme has always been a personal favorite of mine. He’s an alternative rock juggernaut, with a drugged-out and sleazy vibe that immediately makes you feel like you’re halfway through a bottle of tequila every time you hear him play. He plays like the guitar with an almost Medieval…
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Militarie Gun ‘Life Under The Gun’ (2023)
Music had always been a lifeline for Militarie Gun frontman Ian Shelton. Growing up in a small Washington town, Shelton was drawn to the raw intensity of hardcore punk as an outlet for pent-up frustrations (a love affair I can certainly understand). After years of honing his craft in other bands, most notably as the…
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Fontaines D.C. ‘Romance’ (2024)
I was visiting my brother and sister-in-law in Washington DC a few weekends ago (absolutely splendid time) and he started playing me a few songs off a few playlists he put together. My brother has always had an incredible ear for new and interesting music, stuff that’s sort of off the beaten path while still…
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At the Drive-In ‘Relationship of Command’ (2000)
At The Drive-In’s Relationship of Command stands as a watershed moment in the post-hardcore genre, blending frenetic energy with intricate lyrical depth. Released in 2000, the album captures the raw intensity of the band’s sound, characterized by Omar Rodríguez-López’s frenetic guitar work and Cedric Bixler-Zavala’s impassioned vocal delivery. Tracks like “One Armed Scissor” and “Pattern…
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Sonic Youth ‘Daydream Nation’ (1988)
There are few bands who truly redefined a specific genre of music. Sonic Youth is certainly one of them. Emerging from the American underground in the mid-80’s, the band’s inventive use of alternate tunings, dissonance, and feedback was combined with the intensity of hardcore punk and further imbued with the performance art aesthetic of New…
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Mannequin Pussy ‘Patience’ (2019)
Outside of the stellar band name (you’re lying if this one didn’t catch your eye immediately), Mannequin Pussy is a pretty exceptional punk rock band. I first heard Patience earlier this year and was immediately gripped by its earnest accessibility. The album strikes a balance between chaotic energy and profound vulnerability, filled with intricate melodies…
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The Smiths ‘The Smiths’ (1984)
The Smiths have been an Indie Rock touchstone since forming in 1982 in Manchester, England, and have had a profound impact on alternative music and the culture surrounding it. Their jangly guitars, melancholic melodies, and introspective lyrics helped define the “sad boy” genre with Morrissey’s grim outlook on life. The Smiths frontman has a distinct…
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311 ‘311’ (1995)
When I was in elementary school I had a friend whose house I would spend a ton at. He was a little rough around the edges despite growing up in a really affluent family, and had an older brother who always had a collection of CD’s that were super interesting and (most importantly) had the…
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Jane’s Addiction ‘Nothing’s Shocking’ (1988)
Jane’s Addiction played a pivotal role in defining the grunge sound of the early ’90s, melding elements of punk rock, heavy metal, and alternative music in a way that influenced countless bands. Their debut album Nothing’s Shocking showcased an eclectic mix of styles, characterized by Perry Farrell’s ethereal vocals and a fusion of gritty guitar…
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The Matches ‘Decomposer’ (2006)
My love for The Matches was first sparked by their debut album E. Von Dahl Killed The Locals. It was one of the first pop punk albums that truly felt personal to me in a significant way– as I wrote earlier this year when reviewing the album: There was a point in high school where…
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Nine Inch Nails ‘Pretty Hate Machine’ (1989)
In the early 1990s, a seismic shift rippled through the music world when the enigmatic Trent Reznor emerged from the industrial underground with a sound that would forever alter the landscape of industrial music. Their debut album Pretty Hate Machine was a visceral exploration of pain, alienation, and existential dread. It blended the mechanical rhythms…
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