-
The Tragically Hip ‘Fully Completely’ (1992)
The Tragically Hip rose to prominence in the late 1980s with their blues-infused alternative rock, becoming a cornerstone of Canadian cultural identity in the process. Led by lead singer Gord Downie, whose evocative lyrics painted vivid portraits of Canadian landscapes and histories, The Hip struck a chord that resonated deeply with fans across the country.…
-
Lynyrd Skynrd ‘Pronounced Leh-Nerd-Skin-Nerd’ (1973)
Lynyrd Skynyrd’s story is as quintessentially American as their music. Formed in Jacksonville, Florida, in 1964 by a group of high school friends—Ronnie Van Zant, Gary Rossington, Allen Collins, Larry Junstrom, and Bob Burns—the band began honing their craft in garages and local dives. By the time they released their self-titled debut album in 1973…
-
The Pogues ‘If I Should Fall from Grace with God’ (1988)
Blending traditional Irish folk instrumentation with the snarling energy of punk, The Pogues breakthrough album If I Should Fall from Grace with God was both a rebellious anthem and a love letter to their Celtic roots. The album’s lead single “Fairytale of New York” became an instant holiday classic the moment it was released. With…
-
Relient K ‘Let It Snow Baby…Let It Reindeer’ (2007)
My love for pop punk isn’t a well-kept secret (it’s basically the genre that shaped my musical tastes in middle school as I’ve described in great detail over the past two years) and Relient K is one of those bands that have always held a special place in my heart. Their 2004 magnum opus Mmhmm…
-
Various Artists ‘A Christmas Gift For You From Phil Spector’ (1963)
A Christmas Gift for You from Phil Spector is one of the most enduring holiday albums of all time, showcasing Phil Spector’s pioneering “Wall of Sound” production. Recorded at the height of Spector’s illustrious career, the album was a dazzling collaboration with his roster of talented artists, including Darlene Love, The Ronettes, The Crystals, and…
-
*NSYNC ‘Home For Christmas’ (1998)
Released at the height of the boy band craze, *NSYNC’s 1998 holiday album Home for Christmas was a glittering addition to the genre that dominated the late ’90s. I never loved *NSYNC as much as I did the Backstreet Boys, but it’s impossible not to get a little giddy every time I hear Timberlake and…
-
The Jackson 5 ‘Christmas Album’ (1970)
Fronted by a precocious 11-year-old Michael Jackson, whose voice carried a blend of innocence and soul far beyond his years, The Jackson 5 quickly became a pop phenomenon in the early 70’s with hits like “I Want You Back,” “ABC,” and “I’ll Be There” showcasing their boundless talent that made eventually make Michael pop music’s…
-
Twisted Sister ‘A Twisted Christmas’ (2006)
A Twisted Christmas is the ultimate holiday mashup of glam metal excess and yuletide cheer, proving that even the wildest rockers can embrace the Christmas spirit—on their own terms. Released in 2006, the album reimagines holiday classics like “O Come All Ye Faithful” and “Deck the Halls” with the band’s signature blend of roaring guitars,…
-
August Burns Red ‘Sleddin’ Hill’ (2012)
Sleddin’ Hill has fast become one of my favorite Christmas albums for a variety of reasons– for starters, the whole thing is instrumental which makes it pretty accessible for everyone in your family around the holidays. And even though it’s on the heavier side of the coin, blending the uplifting nature of Christmas music with…
-
Kermit Ruffins ‘Have A Crazy Cool Christmas’ (2009)
Kermit Ruffins embodies New Orleans’ joyous spirit– with his swinging trumpet, warm voice, and infectious charisma, Ruffins has become a beloved fixture in the city, carrying on the legacy of jazz greats like Louis Armstrong while adding his own modern flair. From the streets of the Treme neighborhood to packed local bars and legendary festivals,…
-
Joyce Manor ‘Never Hungover Again’ (2014)
If you’re looking for an album that is a masterclass in brevity, you’ve come to the right place. Never Hungover Again packs an emotional punch into its 19-minute runtime that most albums twice its length struggle to achieve, and marked a turning point for the band which saw them refinine their punk-rooted sound into something…
-
Sunny Day Real Estate ‘Diary’ (1994)
Diary came during a time when grunge dominated the airwaves but despite the fact Sunny Day Real Estate was based in grunge’s birthplace of Seattle their unique blend of post-hardcore and emo rock was able to cut through the noise (it also didn’t hurt that frontman Jeremy Enigk could channel the hell out of Kurt…
-
Bon Jovi ‘Slippery When Wet’ (1986)
Fueled by massive anthems like “You Give Love a Bad Name”, “Wanted Dead or Alive”, and the timeless drunk karaoke favorite “Livin’ on a Prayer”, Slippery When Wet rocketed the New Jersey group to global superstardom. Produced by Bruce Fairbairn and polished to a shimmering, radio-ready perfection, Slippery When Wet bridged the gap between glam…
-
Brand New ‘Your Favorite Weapon’ (2001)
When Brand New dropped Your Favorite Weapon in 2001, few could have predicted the monumental impact the Long Island band would have on alternative music in the decade that would follow. At its core their debut was a fiery pop-punk record, drenched in youthful angst, sharp melodies, and Jesse Lacey’s piercingly personal lyrics. The energy…
-
Yes ‘Close to the Edge’ (1972)
Close to the Edge is a cornerstone of progressive rock, a sprawling masterpiece that pushed the boundaries of what rock music (and more broadly music in general) could achieve. Released in 1972, the album’s sprawling three epic tracks showcased virtuosic musicianship, complex compositions, and a sense of ambition that was unprecedented at the time and…
-
The Story So Far ‘Under Soil and Dirt’ (2011)
The Story So Far arrived in 2011 like a shot of adrenaline to a pop-punk scene that had grown relatively complacent in the late 2000’s. Recorded at the now-legendary Panda Studios in Fremont, California (which is about a 20 minute drive north of me), the album captured the Bay Area’s burgeoning pop-punk scene with anthemic…
-
The Stooges ‘The Stooges’ (1969)
When The Stooges roared onto the scene in 1969 it was like a Molotov cocktail got tossed into the face of the flower-power era. Feral riffs, primal drums, and Iggy Pop’s unhinged stage presence were the recipe for success here, and by putting it together they waged a ferocious rebellion against rock’s growing polished side…
-
Amyl and The Sniffers ‘Comfort To Me’ (2021)
Amyl and the Sniffers are a fiery throwback to the raw energy of 1970s punk rock. Frontwoman Amy Taylor commands attention with her ferocious vocals and unapologetic swagger, leading the charge on their sophomore album Comfort to Me, and delivering a no-frills blitz of snarling guitars, thundering rhythms, and fist-pumping anthems that channel the reckless…
-
Yma Sumac ‘Voice Of The Xtaby’ (1950)
Yma Sumac was a Peruvian soprano with an astonishing five-octave vocal range, and in the early 1950’s she was nothing short of a phenomenon– she reshaped the landscape of world music in the mid-20th century, bringing her talent to the masses, and her debut album Voice of the Xtabay sold over a million records in…
-
Beck ‘Odelay’ (1996)
Beck has had such a wide-ranging and successful career that it’s almost impossible to really define who he is as an artist– as my brother (who is probably one of Beck’s biggest fans) can attest to, his varied musical influences are as wide-ranging as any artist. Odelay is a kaleidoscopic masterpiece that redefined alternative music…
-
Poison ‘Open Up And Say…Ahh!’ (1988)
Open Up and Say…Ahh! is the glittering embodiment of 1980s glam rock excess, a loud, brash, and unapologetically fun album that catapulted the band to superstardom. Released in 1988, it’s a neon-lit time capsule of hair-metal anthems that continue to define that era when people think of glam rock today. The album drips with over-the-top…
-
Andrew W.K. ‘I Get Wet’ (2001)
At the end of the day rock and roll is meant to be fun, and a guy like Andrew W.K. gets that. I Get Wet is a riotous, adrenaline-fueled ode to reckless abandon, capturing the sheer joy of living in the moment and completely disregarding whatever responsibilities await tomorrow morning. The album is a wall-to-wall…
-
Blue Öyster Cult ‘Agents of Fortune’ (1976)
Unless you’ve been living under a rock for the past 25 years you’ve probably seen the SNL “More Cowbell” skit featuring Christopher Walken and Will Ferrell that parodies “Don’t Fear The Reaper”, the lead single off Blue Öyster Cult’s Agents of Fortune. It’s an iconic skit that sticks with you long after you’ve seen it,…
-
Frank Zappa ‘Hot Rats’ (1969)
Frank Zappa was a groundbreaking composer, guitarist, and bandleader whose career spanned a metric ton of musical genres while he was active from the late 60’s to early 90’s. Drawing on influences from doo-wop to avant-garde classical music, he fused rock, jazz, and complex modern music with a satirical twist that often mocked popular culture…
-
Dawes ‘Stories Don’t End’ (2013)
Taylor Goldsmith possesses a rare gift for distilling the quiet beauty of everyday life into poignant songs that feel deeply personal and universally relatable. It’s everywhere in Dawes music– the idiosyncratic descriptions of the mundane going-ons of everyday events, the subtle character observations of quirky personalities, the romanticization of life itself. There’s no better storyteller…
-
Red Hot Chili Peppers ‘Blood Sugar Sex Magik’ (1991)
By 1991, the Red Hot Chili Peppers were already known as the wild children of Los Angeles’ rock scene, blending funk, punk, and irreverent humor into their music. But while their early albums showcased raw energy, they had yet to fully channel their potential into a cohesive masterpiece– before Blood Sugar Sex Magik that is.…
-
Bad Brains ‘Bad Brains’ (1982)
Bad Brains stood out from their early 80’s hardcore punk peers in nearly every single– here was four Rastafarian black men playing fusing punk rock and reggae while staying grounded with their “Positive Mental Attitude” in their native Washington DC, drawing a stark contrast to the primarily white male bands with angry screeds against the…
-
Art Pepper ‘Art Pepper Meets the Rhythm Section’ (1957)
Sometimes great art can be born in the most dire of circumstances. Art Pepper Meets the Rhythm Section that kind of album, a somewhat miraculous triumph born from chaos, desperation, and sheer talent. At the time Pepper was battling a crippling drug addiction and hadn’t touched his instrument in six months when he found himself…
-
Chappaqua Wrestling ‘Plus Ultra’ (2023)
Chappaqua Wrestling’s debut album Plus Ultra is a kaleidoscope of sound that merges the dreamy textures of shoegaze with the swagger of Britpop, creating a sonic identity that is both nostalgic and forward-thinking. The Brighton-based band channels the shimmering guitars of My Bloody Valentine and the anthemic confidence of Oasis (once you hear it you…
-
Carrie Underwood ‘Blown Away’ (2012)
If you’re a football fan like me you’re going to immediately recognize Carrie Underwood– she’s been the voice of the NFL’s flagship program Sunday Night Football for over a decade now, with her iconic opening line “I’ve been waiting all day for Sunday night” leading viewers into the league’s biggest game of the week. Bursting…
-
Todd Rundgren ‘Something/Anything?’ (1972)
Todd Rundgren’s career was a tightrope walk between pop stardom and cult icon status, a balancing act that began in the late 1960s and reached its zenith with the 1972 magnum opus Something/Anything?. Emerging with the Nazz, a psych-rock band steeped in Beatlesque melodies, Rundgren quickly set his sights on a broader canvas as a…
-
The Jealous Sound ‘Kill Them With Kindness’ (2003)
The Jealous Sound’s music occupies a bittersweet niche in indie rock’s history—respected by peers and beloved by fans, yet never achieving mainstream recognition. Rising from the remnants of Knapsack and Sunday’s Best, the band crafted a distinctive sound blending Blair Shehan’s understated, palm-muted rhythms with Pedro Benito’s shimmering leads. Their music, at once emotionally charged…
-
New Found Glory ‘Nothing Gold Can Stay’ (1999)
Recorded on a shoestring budget in Miami, Florida, Nothing Gold Can Stay captured the raw, unfiltered essence of suburban teenage life and was a staple in my Walkman during my middle school years. Tracks like “Hit or Miss” blended catchy hooks with a relentless tempo, laying the groundwork for the infectious, emotionally charged sound that…
-
Momma ‘Household Name’ (2022)
If you’re like me you love 90’s alternative rock and Momma’s Household Name is without a doubt a love letter to that bygone era, bringing the raw, unapologetic energy of grunge back to life with a fresh indie twist. Channeling the rebellious spirit of bands like The Smashing Pumpkins, Pavement, and Hole by weaving those…
-
George Michael ‘Faith’ (1987)
After rising to fame as the lead singer of Wham!, George Michael left the teenybopper persona behind in a bold transformation from pop heartthrob to serious musician– Faith sees Michael writing and producing all the songs while also playing many of the instruments himself. It’s the quintessential debut solo album that showcases Michael’s versatility across…
-
Alex G ‘Trick’ (2012)
Alex G is the stage alias of Alex Giannascoli, a songwriter and multi-instrumentalist who built his reputation with intimate lo-fi pop that combines strong melodic sensibilities with a ragged performance style. Trick was self-recorded with an unpolished charm that’s prominent from the opening song, and the album’s bedroom pop aesthetic stands out in an increasingly…
MUSIC OF MATTHEW.
Planet Earth’s #1 Source for Album Reviews.
Search through over 1,000 album reviews below
About the Author
Jason Matthew Plank listens to copious amounts of music and writes about one album each day. He is currently active in the bands Related to Strangers (post-hardcore) and Kindergarten Cartel (punk covers of children’s nursery rhymes).
RECENT REVIEWS
