Parliament and Funkadelic, both spearheaded by George Clinton, represented two intertwined facets of his unique musical vision. Parliament, originally the name of Clinton’s doo-wop group in the 60’s, eventually evolved into a more mainstream, funk-oriented band known for its vibrant and theatrical style (their 1975 album Mothership Connection is a favorite of mine). Funkadelic on the other hand emerged from the same origins but focused on a rawer, more experimental sound that blended psychedelic rock with funk. Though distinct in their musical approaches, the two bands often shared members and influences, creating a synergistic relationship that expanded Clinton’s creative universe and reshaped the landscape of funk music in the 70’s.
Maggot Brain is Funkadelic’s third album and is renowned for its groundbreaking fusion of funk, rock, and psychedelic sounds. The album is particularly famous for its title track which features an absolute howitzer of a guitar solo by lead guitarist Eddie Hazel. This solo, marked by its raw intensity and expressive depth, is often hailed as one of the greatest guitar performances in rock and funk history. Legend has it that the opening track was recorded in a single take after George Clinton, under the influence of LSD, instructed Hazel to play his solo as if he had just learned of his mother’s death, channeling his deepest emotions through his guitar. It’s an incredible backstory for an incredible solo, cementing Maggot Brain as a seminal album in the funk rock discography.
Standout Songs: “Maggot Brain”, “Can You Get To That”, “Hit It and Quit It”
